Be A Voice Actor and A Musician

Being a voice actor and a musician are two very different careers but they share the same underlying principle – using your voice as a tool to convey emotion and tell stories. While one involves creating music and the other involves lending your voice to characters, both require talent, dedication, and hard work.

The Similarities

At the heart of both voice acting and music lies the ability to express yourself through your voice. As a musician, you use your voice to sing, rap, or add vocalizations to your instrumentals. Similarly, as a voice actor, you use your voice to give life to animated characters, voice commercials, or narrate audiobooks. Both require an understanding of emotions, tone, and delivery to convey the right message to the audience.

Another similarity between the two is the need for practice and skill refinement. Musicians constantly work on their voice, training their vocal cords and practicing their techniques to improve their sound. Similarly, voice actors undergo training to develop their vocal range, learn different character voices, and perfect their delivery. Both require discipline and patience to master the art of using their voice effectively.

The Benefits of Being A Voice Actor and A Musician

Creative Development

Being a voice actor and a musician means having the opportunity to express yourself creatively in different ways. As a musician, you have the freedom to create and experiment with different sounds, genres, and styles. As a voice actor, you get to bring different characters to life, using your voice to add depth and personality to animated shows, video games, and commercials. Both allow you to tap into your creative side and constantly challenge yourself to improve and evolve.

Redundancy in Work

Being a voice actor and a musician comes with the added benefit of having multiple sources of income. As a musician, you can perform gigs, sell your music, and even write songs for other artists. As a voice actor, you can voice multiple characters in different projects, record audiobooks, or do voiceover work for commercials and animations. Having both skills allows you to tap into two different industries, increasing your chances of landing a steady stream of work.

Flexibility in Work

Both voice acting and music allow for a flexible working schedule. As a musician, you can plan your gigs and performances around your other commitments, making it easier to balance your work and personal life. Similarly, as a voice actor, you can record your lines from the comfort of your own home, making it easier to juggle different projects and deadlines. This flexibility also allows for more opportunities to explore and experiment with different projects and genres.

How to Become A Voice Actor and A Musician

Develop Your Skills

To become a successful voice actor and musician, you need to develop your skills. For music, this means taking vocal lessons, learning how to play different instruments, and studying music theory. As for voice acting, you can take acting classes, vocal training, and practice different character voices. The more you invest in improving your skills, the more opportunities you will have to showcase your talent and stand out in a competitive industry.

Network and Build Connections

Networking is crucial for any career, and it is no different for voice acting and music. Attend industry events, join online communities, and connect with other professionals in the field. Building relationships and making connections can lead to potential collaborations, job offers, and other opportunities. It is also a great way to learn from others and gain insights into the industry.

Create a Portfolio

Having a portfolio to showcase your work is essential for both voice acting and music. As a musician, this can be in the form of a demo reel, a YouTube channel, or a website where you can showcase your music and performances. For voice acting, a demo reel or a website with samples of your work can help potential clients see your range and skills. A portfolio allows you to present yourself professionally and increases your chances of getting noticed by industry professionals.

Be Persistent and Open to Opportunities

Becoming a successful voice actor and musician takes time and persistence. It is important to remember that rejection is a part of the process and to not give up. Keep practicing, looking for opportunities, and building your network. Be open to different opportunities, even those that may seem small at first. Every experience is a chance to learn and grow as an artist.

Conclusion

Becoming a voice actor and a musician is no easy feat. It takes talent, hard work, and dedication to excel in both fields. However, the rewards are great, and the potential for growth and creativity is endless. With the right training, networking, and persistence, you can carve a successful career as a voice actor and musician, using your voice to captivate and entertain audiences in different ways.

Michael Greyeyes is an actor best known for his work in films such as: Skinwalkers, Dance Me Outside, Sunshine State, Smoke Signals, Big Bear, Skipped Parts, Firestorm, Geronimo for TNT, and Stolen Women: Captured Hearts and The Lost Child for CBS. In 1996, Michael starred in the TNT Original Films production of Crazy Horse in the title role, for which he garnered much critical acclaim. His other television credits include guest appearances on Millennium, Body and Soul, Walker Texas Ranger, Harsh Realm, Dr. Quinn Medicine Woman and Charmed.

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Michael is Plains Cree. His father is from the Muskeg Lake First Nation and his mother is from the Sweetgrass First Nation, both located in Saskatchewan, Canada. A graduate of The National Ballet School in 1984, he went on to apprentice with The National Ballet of Canada before joining the company as a full Corps de Ballet member in 1987. After three years, he left the National Ballet to join the company of choreographer Eliot Feld in New York City. Eliot Feld created two roles especially for him in the ballets Common Ground and Bloom’s Wake. As well, Michael danced many featured roles in Mr. Feld’s most acclaimed works, such as Endsong, Intermezzo, Embraced Waltzes, Contrapose, and The Jig is Up.

Since retiring from dance in 1994, Michael has continued to work on stage as an actor, choreographer and teacher. Some of this work was seen in He Who Dreams: Michael Greyeyes On The Powwow Trail, a one-hour documentary shown on the Canadian Broadcasting Corporation for a national audience.

Most recently, he appeared in One Flew Over The Cuckoo’s Nest at Porthouse Theatre in the role of Chief Bromden, before completing the filming of Dreamkeeper, an ABC mini-series, shot on location in Alberta, Canada.

Birthplace: Qu’Appelle Valley, Saskatchewan, Canada
Weight: 205 lbs.
Birthdate: 04 June 1967
Tribe: Plains Cree
Height: 6′ 2″ (1.88 m)

Michael Greyeyes has performed on stage and in numerous film and television projects since he began his life in the performing arts at the age of 10. Prior to appearing on film and television as an actor, he was a member of the National Ballet of Canada, a world-renowned classical ballet company and a soloist in the dance company of Eliot Feld, the acclaimed New York-based choreographer. While continuing to appear both on screen and on stage, he is currently writing his Master’s thesis in Acting at Kent State University.

Michael Greyeyes is Cree, from the Muskeg Lake First Nation in Saskatchewan, Canada. He began dancing at the age of six in the city of Saskatoon, studying tap, jazz, and ballet. Excelling in ballet, he was accepted in 1977 to The National Ballet School (NBS) in Toronto, Ontario. This school is Canada’s finest classical dance training institution and is considered among the world’s best dance academies. He graduated in 1984, then completed two more years of advanced dance training before joining The National Ballet of Canada as an apprentice. He then joined the company as a full corps de ballet member in 1987. While dancing in Toronto, he appeared in numerous classical works, such as Swan Lake, Giselle, and Sleeping Beauty, as well as a number of modern works, such as George Balanchine’s Symphony in C, Kenneth MacMillan’s Elite Syncopations, Etudes, and Concerto, John Cranko’s Romeo and Juliet, and Glen Tetley’s Alice and Voluntaries.

In 1990, Mr. Greyeyes left Toronto to join choreographer, Eliot Feld and his dance company, then called Feld Ballets/NY. As a soloist, Mr. Greyeyes appeared in a number of Feld’s masterworks, such as Intermezzo, Skara Brae, The Jig is Up, and Endsong. Mr. Feld also created two roles especially for him in Common Ground and Bloom’s Wake (since renamed Dew Upon Their Feet). New York Times dance critic, Jennifer Dunning, described him as “a performer of forceful dignity.” (Jennifer Dunning, The New York Times, March 15, 1993)

During his time in New York City, he also began to choreograph. His first work was for a play, entitled Glory of the Morning. Working with non-dancers and actors, his interest in pursuing other forms of performances was awakened. In 1992, he appeared in Ancient Rivers, a multi-disciplinary performance work by choreographer Alejandro Ronceria. In her review of this piece, Paula Citron described him as a “powerful performer.” (Paula Citron, Special for The Toronto Star, December 7, 1992) In 1993, he retired from dance, leaving Eliot Feld’s company to pursue acting on a full-time basis.

Later that year he landed the role of Juh in Turner Network Television’s Geronimo. He then joined a talented young cast in Bruce McDonald’s feature film, Dance Me Outside, in the role of Gooch Lacroix, “an ex-con sensitively played by Michael Greyeyes.” (Jay Carr, The Boston Globe, June 30, 1995) Paula Citron, performance critic for The Toronto Globe and Mail, wrote, “If anything is going to make Michael Greyeyes a household name, it is the stunning acting job he pulls off as the brooding ex-convict Gooch…” (Paula Citron, The Globe and Mail, December 4, 1994) The film premiered at the Toronto International Film Festival and was later invited to the Sundance Film Festival as well. McDonald’s film received glowing reviews and remains a cult-favorite of native communities across Canada and the United States.

Mr. Greyeyes then devoted much of the following year to performing on stage in a number of different plays, including two productions of Tomson Highway’s The Rez Sisters in the role of Nanabush/The Bingo Master, a role originally created for Highway’s brother, Rene. That year also marked his appearance as Frank in the Canadian Broadcasting Corporation’s four-part series, The Four Directions, in the episode, The Hero, directed by Gary Farmer. He also made a brief appearance as a ghost dancer in Clement Virgo’s feature film, Rude, which explored the turbulent life of Toronto’s mean streets.

In the summer of that year, Mr. Greyeyes was invited to The Canada Dance Festival in Ottawa, Ontario. Together with Cree artists Floyd Favel and Kent Monkman, he formed the dance company Tipiskaki Goroh. The company performed two pieces, Night Traveller and A Child of 10,000 Years, both choreographed by Mr. Greyeyes. Pauline Tam, reviewer for The Ottawa Citizen, said of these works, “they resonate with purpose and integrity.” (Pauline Tam, The Ottawa Citizen, June 14, 1994)

In 1995, Mr. Greyeyes landed the coveted role of Crazy Horse in Turner Network Television’s Crazy Horse. The cable television movie was directed by noted British director John Irvin and written by Pulitzer Prize-winning author Robert Schenkkan. For bringing this important historical and spiritual leader to life on screen, Los Angeles Times critic Don Heckman noted that “Michael Greyeyes brings a richly-layered sensitivity to his performance as Crazy Horse.” (Don Heckman, Los Angeles Times, July 6, 1996) Mr. Greyeyes was also awarded Best Actor in a Television Movie by First Americans in the Arts, an American Indian organization dedicated to recognizing native achievement in cinema and television.

Following his success in this role, he landed the romantic lead opposite Janine Turner, best known for her role as Maggie on Northern Exposure, in CBS Television’s Stolen Women: Captured Hearts. This movie-of-the week (MOW) was so popular that CBS re-aired it a year after its premiere, a great rarity for MOW’s. Noted critic for The Washington Post, Tom Shales, wrote, “Greyeyes makes his character’s combination of strength and tenderness believable and attractive.” (Tom Shales, The Washington Post, March 15, 1997). For this role, he was received his second Best Actor Award from First Americans in the Arts. Mr. Greyeyes also worked on a number of other film and television projects, including Firestorm (Twentieth Century Fox), and the mini-series Rough Riders for TNT and True Women for CBS Television. That year also marked his second collaboration with Kent Monkman, a visual artist and painter based in Toronto, Ontario. Together they created a short video project entitled, A Nation Is Coming. Under the direction of Kent Monkman, Mr. Greyeyes choreographed and appeared as the solo performer in this award-winning dance video which explored the intersection of decaying, urban landscapes with images of fire, disease and re-birth as symbolized in a ghost dancer.

In 1996, at the invitation of Lawrence Cherney and his company Soundstreams Canada, Mr. Greyeyes was asked to re-stage a dance theatre piece for children. Completely re-working the existing idea, he collaborated with the late, renowned composer Louis Applebaum and writer Floyd Favel to create Buffalo Jump, a love story based on a traditional Siksika myth. Paul Gessell of The Ottawa Citizen wrote that “Buffalo Jump holds children and adults spellbound.” (Paul Gessell, The Ottawa Citizen, July 9, 1998) Buffalo Jump has been invited to a number of theatre festivals, including the 13th Assitej World Congress and Festival in 1999, held that year in Tromsø, Norway.

Mr. Greyeyes has continued to perform in film and television, including guest star appearances on Dr. Quinn, Medicine Woman; Millennium; Harsh Realm; The Magnificent Seven; Walker, Texas Ranger; and Charmed, while also appearing in the films Big Bear, The Lost Child (which won him his third First Americans in the Arts Award), Zigzag, A League of Old Men, Race Against Time, Skipped Parts in the role of Hank Elkrunner opposite Jennifer Jason Leigh (again receiving a Best Actor in a Film award by First Americans in the Arts), and Smoke Signals, which won both the Audience and Filmmaker awards at the Sundance Film Festival in Park City, Utah.

In addition to his work as an actor, Mr. Greyeyes was the subject of a Canadian Broadcasting Company documentary entitled He Who Dreams: Michael Greyeyes on the Pow-wow Trail. A documentary film crew followed Mr. Greyeyes as he returned home to Saskatchewan where he interviewed elders, dancers, and singers in order to learn how he might use traditional native dance as the basis for a more personal form of choreography. The culmination of this journey was a commissioned dance work, entitled songs for the Centre for Indigenous Theatre in Toronto in 1998. This documentary was screened at The International Indian Film Festival in San Francisco, and aired nationally across Canada on Adrienne Clarkson Presents.

This past year he has appeared in John Sayles’ latest film, Sunshine State, which played across the United States and Canada in the summer of 2002. During that time, he returned to the stage at Porthouse Theatre, in a revival of One Flew Over The Cuckoo’s Nest, in the pivotal role of Chief Bromden. Reviewer Jacqueline Gerber said, “Michael Greyeyes beautifully transforms himself…” in this role that traces Bromden’s journey back to sanity and life on Nurse Ratched’s ward. (Jacqueline Gerber, Special to The Cleveland Plain Dealer, July 9, 2002) Cleveland Free Times theatre reviewer, James Damico, said, “Michael Greyeyes is both impressive and imposing as Chief Bromden.” (James Damico, Cleveland Free Times, July 10, 2002)

Most recently he has appeared in an episode of Body and Soul and as Dr. Stone in Skinwalkers, an adaptation of the Tony Hillerman’s novel of the same name, written by James Redford and directed by Chris Eyre, best known for directing Smoke Signals. In November of 2003, Mr. Greyeyes will appear in the highly anticipated ABC mini-series Dreamkeeper, written by John Fusco, who also wrote the feature film Thunderheart.