Mr. Greyeyes

Mr. Greyeyes

MICHAEL GREYEYES is an actor, dancer, director, and choreographer. He is a member of the Muskeg Lake First Nation in Saskatchewan, Canada.
Mr. Greyeyes began his professional career as a classical ballet dancer with The National Ballet of Canada and with the company of Eliot Feld in New York City.  Eliot Feld created two roles especially for him in the ballets Common Ground and Bloom’s Wake. As well, Michael danced many featured roles in Mr. Feld’s most acclaimed works, such as Endsong, Intermezzo, Embraced Waltzes, Contrapose, and The Jig is Up.In 1993, Mr. Greyeyes began to choreograph and direct his own theatre work, which has appeared in festivals in Canada and Europe. As an actor he has worked on stage and extensively in film and television for the last 14 years. Recent credits include, Terence Malick’s The New World, Skinwalkers for PBS Mystery!, Law and Order: Criminal Intent, Numb3rs, Skipped Parts, Smoke Signals for Miramax, the ABC mini-series Dreamkeeper and most recently, Passchendaele, Paul Gross’ World War I feature that opened the 2008 Toronto International Film Festival.
Mr. Greyeyes received his M.F.A in Acting from Kent State University, where he taught as an instructor and first began his on-going research into post-colonialism and the staging of ethnicity in both film and dance. He has presented papers on “Notions of Indian-ness” at the PCA/ACA conference in 2007 and was an invited keynote speaker at Wilfred Laurier University’s Indigenous Film and Media conference that same year.
Mr. Greyeyes has continued to create theatre work, alongside his film and television credits. This past year he was commissioned to create a new dance work for the Dusk Dances festival in Toronto and new choreography for 4 male dancers, set to a mash up of Stravinsky’s Rite of Spring for Kent Monkman’s installation: Dance to the Berdashe. In 2006, Michael collaborated with renowned choreographer Santee Smith to create a duet, entitled The Threshing Floor, for Nozhem: First Peoples Performance Space and Trent University’s Indigenous Studies Program. This dance work toured across Canada in the spring of 2008 and was an invited dance work for the 2008 Canada Dance Festival, as part of Kaha:wi Dance Theatre’s “Fragmented Heart” program.
Mr. Greyeyes next wrote and performed in a short dance film entitled Triptych for BRAVO!, directed by Byron McKim in November 2007, which he also co-produced and choreographed. In 2008, Mr. Greyeyes directed a new opera work, entitled “The Journey” for Soundstreams Canada, with music by Melissa Hui, and libretto by Tomson Highway.In 2009, he will appear in Ric Burn’s new documentary/ live action film for PBS, entitled “We Shall Remain: Tecumseh” in the title role and will direct Daniel David-Moses’ acclaimed play, Almighty Voice and His Wife, for Native Earth Performing Arts.  

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