The Aspiring Actor’s Guide To Acting Classes In Los Angeles

Los Angeles, also known as the entertainment capital of the world, is home to a thriving and competitive acting industry. Every year, thousands of aspiring actors flock to the city in pursuit of their dreams. And while having talent and drive is important, it is equally crucial to hone your skills and craft through formal training. That’s where acting classes come in.

Why Take Acting Classes In Los Angeles?

Acting classes provide a safe and supportive environment for actors to hone their skills, gain confidence, and learn from experienced instructors. In Los Angeles, taking acting classes is not just about improving your craft, but also about networking and building relationships in the industry. Many famous actors and actresses credit their success to the acting classes they took in LA.

Moreover, Los Angeles is home to some of the best acting schools and instructors in the world. By taking classes here, you’ll have access to top-notch training and resources that can help take your career to the next level.

Choosing The Right Acting Class

With countless options available, choosing the right acting class in Los Angeles can seem overwhelming. Here are some factors to consider:

1. Types of Classes

Before enrolling in an acting class, determine what type of training you’re looking for. Do you want to focus on a specific acting technique or genre? Or maybe you’re interested in a more well-rounded approach that covers various methods and skills? Some popular types of classes in LA include method acting, Meisner technique, improv and sketch comedy, on-camera acting, auditioning workshops, and acting for film and television.

It’s also essential to consider your level of experience. Some classes are geared towards beginners, while others are more advanced. Look for classes that are best suited to your current skills to ensure you’ll get the most out of the experience.

2. Teacher’s Background and Experience

The teacher can make or break your experience in an acting class. Research the instructor’s background and experience before signing up. Do they have a successful career in the industry? Have they trained other successful actors? Do they have a teaching style that resonates with you? These are important questions to consider in finding the right instructor for you.

3. Class Size and Environment

The class size and environment can also impact your learning experience. Some actors thrive in smaller, more intimate classes, while others prefer larger groups. Consider what type of environment you’re most comfortable in and make sure the class size aligns with that. It’s also important to find a class with a positive and supportive atmosphere, as that can help you grow and learn without feeling judged or intimidated.

4. Cost and Schedule

Acting classes in Los Angeles can be expensive, so it’s essential to consider the cost and your budget before enrolling. Some classes may offer payment plans or scholarships, so be sure to inquire about those options. Additionally, make sure the class schedule fits into your life and doesn’t conflict with any other commitments you may have.

Top Acting Classes In Los Angeles

Now that you know what to look for in an acting class, here are some of the top classes in Los Angeles to consider:

1. The Groundlings Theatre & School

The Groundlings is a comedy theater and school that has produced famous actors such as Will Ferrell, Melissa McCarthy, and Kristen Wiig. They offer classes in improv, sketch comedy, and advanced study programs.

2. The Lee Strasberg Theatre & Film Institute

Founded by legendary acting coach Lee Strasberg, this institute offers intensive training in the method acting technique. It has produced successful actors such as Angelina Jolie, Scarlett Johansson, and Robert De Niro.

3. The Beverly Hills Playhouse

This acting school offers a wide range of classes, from scene study and improv to dialect training and on-camera acting. It has a long list of successful alumni, including George Clooney and Michelle Pfeiffer.

4. The Actors Studio

The Actors Studio is a renowned acting school that follows the legacy of Lee Strasberg, Stella Adler, and Sanford Meisner. It offers classes in method acting, scene study, and on-camera acting, among others.

5. The Second City

The Second City is a comedy theater and school that offers training in improv, sketch comedy, and writing for comedy. It has produced famous comedians like Tina Fey, Amy Poehler, and Steve Carell.

Tips For Making The Most Out Of Your Acting Classes

Here are some tips to help you make the most out of your acting classes in Los Angeles:

1. Be open to constructive criticism

Acting classes are meant to help you improve, and that involves receiving feedback and constructive criticism from your instructor and classmates. Embrace this feedback and use it to grow and improve your skills.

2. Take risks

Don’t be afraid to take risks and step out of your comfort zone in class. This is a safe space to try new things and experiment with different techniques. You never know what may work for you.

3. Network with your classmates

Your classmates can become valuable connections in the industry, so don’t be afraid to network and build relationships with them. You never know when a fellow actor may recommend you for a role or an agent.

4. Practice outside of class

In addition to attending classes, make sure to practice your craft outside of class. This can include working on monologues, scene study, and even attending auditions and industry events.

In conclusion

Acting classes in Los Angeles are a valuable investment in your career as an actor. They provide you with the training, skills, and connections you need to succeed in the competitive industry. Do your research, choose the right class for you, and make the most out of the experience. Who knows, you may just be the next big star to come out of LA.

Michael Greyeyes is an actor best known for his work in films such as: Skinwalkers, Dance Me Outside, Sunshine State, Smoke Signals, Big Bear, Skipped Parts, Firestorm, Geronimo for TNT, and Stolen Women: Captured Hearts and The Lost Child for CBS. In 1996, Michael starred in the TNT Original Films production of Crazy Horse in the title role, for which he garnered much critical acclaim. His other television credits include guest appearances on Millennium, Body and Soul, Walker Texas Ranger, Harsh Realm, Dr. Quinn Medicine Woman and Charmed.

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Michael is Plains Cree. His father is from the Muskeg Lake First Nation and his mother is from the Sweetgrass First Nation, both located in Saskatchewan, Canada. A graduate of The National Ballet School in 1984, he went on to apprentice with The National Ballet of Canada before joining the company as a full Corps de Ballet member in 1987. After three years, he left the National Ballet to join the company of choreographer Eliot Feld in New York City. Eliot Feld created two roles especially for him in the ballets Common Ground and Bloom’s Wake. As well, Michael danced many featured roles in Mr. Feld’s most acclaimed works, such as Endsong, Intermezzo, Embraced Waltzes, Contrapose, and The Jig is Up.

Since retiring from dance in 1994, Michael has continued to work on stage as an actor, choreographer and teacher. Some of this work was seen in He Who Dreams: Michael Greyeyes On The Powwow Trail, a one-hour documentary shown on the Canadian Broadcasting Corporation for a national audience.

Most recently, he appeared in One Flew Over The Cuckoo’s Nest at Porthouse Theatre in the role of Chief Bromden, before completing the filming of Dreamkeeper, an ABC mini-series, shot on location in Alberta, Canada.

Birthplace: Qu’Appelle Valley, Saskatchewan, Canada
Weight: 205 lbs.
Birthdate: 04 June 1967
Tribe: Plains Cree
Height: 6′ 2″ (1.88 m)

Michael Greyeyes has performed on stage and in numerous film and television projects since he began his life in the performing arts at the age of 10. Prior to appearing on film and television as an actor, he was a member of the National Ballet of Canada, a world-renowned classical ballet company and a soloist in the dance company of Eliot Feld, the acclaimed New York-based choreographer. While continuing to appear both on screen and on stage, he is currently writing his Master’s thesis in Acting at Kent State University.

Michael Greyeyes is Cree, from the Muskeg Lake First Nation in Saskatchewan, Canada. He began dancing at the age of six in the city of Saskatoon, studying tap, jazz, and ballet. Excelling in ballet, he was accepted in 1977 to The National Ballet School (NBS) in Toronto, Ontario. This school is Canada’s finest classical dance training institution and is considered among the world’s best dance academies. He graduated in 1984, then completed two more years of advanced dance training before joining The National Ballet of Canada as an apprentice. He then joined the company as a full corps de ballet member in 1987. While dancing in Toronto, he appeared in numerous classical works, such as Swan Lake, Giselle, and Sleeping Beauty, as well as a number of modern works, such as George Balanchine’s Symphony in C, Kenneth MacMillan’s Elite Syncopations, Etudes, and Concerto, John Cranko’s Romeo and Juliet, and Glen Tetley’s Alice and Voluntaries.

In 1990, Mr. Greyeyes left Toronto to join choreographer, Eliot Feld and his dance company, then called Feld Ballets/NY. As a soloist, Mr. Greyeyes appeared in a number of Feld’s masterworks, such as Intermezzo, Skara Brae, The Jig is Up, and Endsong. Mr. Feld also created two roles especially for him in Common Ground and Bloom’s Wake (since renamed Dew Upon Their Feet). New York Times dance critic, Jennifer Dunning, described him as “a performer of forceful dignity.” (Jennifer Dunning, The New York Times, March 15, 1993)

During his time in New York City, he also began to choreograph. His first work was for a play, entitled Glory of the Morning. Working with non-dancers and actors, his interest in pursuing other forms of performances was awakened. In 1992, he appeared in Ancient Rivers, a multi-disciplinary performance work by choreographer Alejandro Ronceria. In her review of this piece, Paula Citron described him as a “powerful performer.” (Paula Citron, Special for The Toronto Star, December 7, 1992) In 1993, he retired from dance, leaving Eliot Feld’s company to pursue acting on a full-time basis.

Later that year he landed the role of Juh in Turner Network Television’s Geronimo. He then joined a talented young cast in Bruce McDonald’s feature film, Dance Me Outside, in the role of Gooch Lacroix, “an ex-con sensitively played by Michael Greyeyes.” (Jay Carr, The Boston Globe, June 30, 1995) Paula Citron, performance critic for The Toronto Globe and Mail, wrote, “If anything is going to make Michael Greyeyes a household name, it is the stunning acting job he pulls off as the brooding ex-convict Gooch…” (Paula Citron, The Globe and Mail, December 4, 1994) The film premiered at the Toronto International Film Festival and was later invited to the Sundance Film Festival as well. McDonald’s film received glowing reviews and remains a cult-favorite of native communities across Canada and the United States.

Mr. Greyeyes then devoted much of the following year to performing on stage in a number of different plays, including two productions of Tomson Highway’s The Rez Sisters in the role of Nanabush/The Bingo Master, a role originally created for Highway’s brother, Rene. That year also marked his appearance as Frank in the Canadian Broadcasting Corporation’s four-part series, The Four Directions, in the episode, The Hero, directed by Gary Farmer. He also made a brief appearance as a ghost dancer in Clement Virgo’s feature film, Rude, which explored the turbulent life of Toronto’s mean streets.

In the summer of that year, Mr. Greyeyes was invited to The Canada Dance Festival in Ottawa, Ontario. Together with Cree artists Floyd Favel and Kent Monkman, he formed the dance company Tipiskaki Goroh. The company performed two pieces, Night Traveller and A Child of 10,000 Years, both choreographed by Mr. Greyeyes. Pauline Tam, reviewer for The Ottawa Citizen, said of these works, “they resonate with purpose and integrity.” (Pauline Tam, The Ottawa Citizen, June 14, 1994)

In 1995, Mr. Greyeyes landed the coveted role of Crazy Horse in Turner Network Television’s Crazy Horse. The cable television movie was directed by noted British director John Irvin and written by Pulitzer Prize-winning author Robert Schenkkan. For bringing this important historical and spiritual leader to life on screen, Los Angeles Times critic Don Heckman noted that “Michael Greyeyes brings a richly-layered sensitivity to his performance as Crazy Horse.” (Don Heckman, Los Angeles Times, July 6, 1996) Mr. Greyeyes was also awarded Best Actor in a Television Movie by First Americans in the Arts, an American Indian organization dedicated to recognizing native achievement in cinema and television.

Following his success in this role, he landed the romantic lead opposite Janine Turner, best known for her role as Maggie on Northern Exposure, in CBS Television’s Stolen Women: Captured Hearts. This movie-of-the week (MOW) was so popular that CBS re-aired it a year after its premiere, a great rarity for MOW’s. Noted critic for The Washington Post, Tom Shales, wrote, “Greyeyes makes his character’s combination of strength and tenderness believable and attractive.” (Tom Shales, The Washington Post, March 15, 1997). For this role, he was received his second Best Actor Award from First Americans in the Arts. Mr. Greyeyes also worked on a number of other film and television projects, including Firestorm (Twentieth Century Fox), and the mini-series Rough Riders for TNT and True Women for CBS Television. That year also marked his second collaboration with Kent Monkman, a visual artist and painter based in Toronto, Ontario. Together they created a short video project entitled, A Nation Is Coming. Under the direction of Kent Monkman, Mr. Greyeyes choreographed and appeared as the solo performer in this award-winning dance video which explored the intersection of decaying, urban landscapes with images of fire, disease and re-birth as symbolized in a ghost dancer.

In 1996, at the invitation of Lawrence Cherney and his company Soundstreams Canada, Mr. Greyeyes was asked to re-stage a dance theatre piece for children. Completely re-working the existing idea, he collaborated with the late, renowned composer Louis Applebaum and writer Floyd Favel to create Buffalo Jump, a love story based on a traditional Siksika myth. Paul Gessell of The Ottawa Citizen wrote that “Buffalo Jump holds children and adults spellbound.” (Paul Gessell, The Ottawa Citizen, July 9, 1998) Buffalo Jump has been invited to a number of theatre festivals, including the 13th Assitej World Congress and Festival in 1999, held that year in Tromsø, Norway.

Mr. Greyeyes has continued to perform in film and television, including guest star appearances on Dr. Quinn, Medicine Woman; Millennium; Harsh Realm; The Magnificent Seven; Walker, Texas Ranger; and Charmed, while also appearing in the films Big Bear, The Lost Child (which won him his third First Americans in the Arts Award), Zigzag, A League of Old Men, Race Against Time, Skipped Parts in the role of Hank Elkrunner opposite Jennifer Jason Leigh (again receiving a Best Actor in a Film award by First Americans in the Arts), and Smoke Signals, which won both the Audience and Filmmaker awards at the Sundance Film Festival in Park City, Utah.

In addition to his work as an actor, Mr. Greyeyes was the subject of a Canadian Broadcasting Company documentary entitled He Who Dreams: Michael Greyeyes on the Pow-wow Trail. A documentary film crew followed Mr. Greyeyes as he returned home to Saskatchewan where he interviewed elders, dancers, and singers in order to learn how he might use traditional native dance as the basis for a more personal form of choreography. The culmination of this journey was a commissioned dance work, entitled songs for the Centre for Indigenous Theatre in Toronto in 1998. This documentary was screened at The International Indian Film Festival in San Francisco, and aired nationally across Canada on Adrienne Clarkson Presents.

This past year he has appeared in John Sayles’ latest film, Sunshine State, which played across the United States and Canada in the summer of 2002. During that time, he returned to the stage at Porthouse Theatre, in a revival of One Flew Over The Cuckoo’s Nest, in the pivotal role of Chief Bromden. Reviewer Jacqueline Gerber said, “Michael Greyeyes beautifully transforms himself…” in this role that traces Bromden’s journey back to sanity and life on Nurse Ratched’s ward. (Jacqueline Gerber, Special to The Cleveland Plain Dealer, July 9, 2002) Cleveland Free Times theatre reviewer, James Damico, said, “Michael Greyeyes is both impressive and imposing as Chief Bromden.” (James Damico, Cleveland Free Times, July 10, 2002)

Most recently he has appeared in an episode of Body and Soul and as Dr. Stone in Skinwalkers, an adaptation of the Tony Hillerman’s novel of the same name, written by James Redford and directed by Chris Eyre, best known for directing Smoke Signals. In November of 2003, Mr. Greyeyes will appear in the highly anticipated ABC mini-series Dreamkeeper, written by John Fusco, who also wrote the feature film Thunderheart.